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The works of Angelou and Plath were not written for young readers. In the late 1960s and early 1970s, five very popular books were published: I Know Why the Caged Bird Sings (1969), an autobiography of the early years of American poet Maya Angelou The Friends (1973) by Rosa Guy the semi-autobiographical The Bell Jar (US 1963, under a pseudonym UK 1967) by poet Sylvia Plath Bless the Beasts and Children (1970) by Glendon Swarthout and Deathwatch (1972) by Robb White, which was awarded 1973 Edgar Award for Best Juvenile Mystery by the Mystery Writers of America. This increased the discussions about adolescent experiences and the new idea of adolescent authors. Īuthor and academic Michael Cart argues that the 1960s was the decade when literature for adolescents "could be said to have come into its own". The Outsiders remains one of the best-selling young adult novels of all time. Written during high school and published when Hinton was only 16, The Outsiders also lacked the nostalgic tone common in books about adolescents written by adults. The novel features a truer, darker side of adolescent life that was not often represented in works of fiction of the time, and was the first novel published specifically marketed for young adults as Hinton was one when she wrote it. The modern classification of young-adult fiction originated during the 1960s, after the publication of S. Ī Wrinkle in Time, written by Madeleine L'Engle in 1960, received over twenty-six rejections before publication in 1962, due in part to it being neither a children's nor adult's book, and featuring a teenage girl as the protagonist at a time when most science fiction targeted teenage boys. The themes of adolescent angst and alienation in the novel have become synonymous with young adult literature.
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In the 1950s, The Catcher in the Rye (1951), attracted the attention of the adolescent demographic although it was written for adults. The intended market was teenage boys, but a fourteenth novel, Podkayne of Mars (1963), featuring a young girl as the protagonist, is sometimes listed as a "Heinlein juvenile", although Heinlein himself did not consider it to be one. That one was instead published by Putnam. Scribner's published eleven more between 19, but rejected the thirteenth, Starship Troopers. Heinlein for Scribner's young-adult line, beginning with Rocket Ship Galileo in 1947. The Heinlein juveniles were science fiction novels written by Robert A. Though young adult literature had existed since at least Laura Ingalls Wilder’s Little House series, which was published in the 1930s, teachers and librarians were slow to accept books for teenagers as a genre.
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Frank Baum, Astrid Lindgren, Enid Blyton, CS Lewis.
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Nineteenth and early twentieth century authors present several early works that appealed to young readers, though not necessarily written for them such as Lewis Carroll, Robert Louis Stevenson, Mark Twain, Francis Hodgson Burnett, Edith Nesbit, JM Barrie, L. In her children's literature periodical, The Guardian of Education, Trimmer introduced the terms "Books for Children" (for those under fourteen) and "Books for Young Persons" (for those between fourteen and twenty-one), establishing terms of reference for young adult literature that still remain in use. One early writer to recognize young adults as a distinct group was Sarah Trimmer, who, in 1802, described "young adulthood" as lasting from ages 14 to 21. The history of young adult literature is tied to the history of how childhood and young adulthood has been perceived. Title page from Sarah Trimmer's The Guardian of Education, vol.